Another commission piece over Mark Brook's pencils on Blueline. Spider-Man and Vulture. There was hardly any blacks to fill on this piece except for Spider-Man's eyes. So I decided to thicken up the holding lines around Spider-Man and the camera around his neck to pop the perspective more. Normally, pieces that hardly have any blacks to fill are faster for me to ink. In this case, it took longer because of all the detailed buildings in the background. All of that back there took much longer to ink than the characters itself. For this piece, I used microns, tech pens, brushes, crow quill, templates, and a ruler.