My inks over Julius Gopez's pencils. Inking over Julius was tough. When I would print out his pencils on Blue Lines, everything would be smudgy and hard to see and translate. I believe it was because the pencils were smudgy. For the most part, I approached this project as doing finishes, except it wasn't finishes. All the lines were there, juts hard to see. So I inked what I thought was supposed to be there. Best way I can describe it is, you draw ten lines with a pencils. Then you ink in the best fit line to make it look good. Some of the books, you'll see that each inker approches Julius Gopez's differently. Here are my results...
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| For me, faces, hands, and textures are very important in inking, among other things. Get those three things right and everything else is a breeze. |
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